December 23, 2016

Andrea Riseborough

You’ll be appearing soon as Svetlana Stalin – Joseph Stalin’s only daughter – in Armando Ianucci’s The Death of Stalin. This will be one of Ianucci’s first projects not only using a real contextual setting but also ‘real’ historical figures. What can you share about the way this project (and you through your character) approached the balance of reality and creative license? I watched the moving images of Svetlana available, read one book in particular, Rosemary Sullivan’s Stalin’s Daughter, which was comprehensive. And used all the stills of her available. Then made an effort to forget it all and embrace…